The shell of your breastbone is wailing again
my cradled ear
the imperfect translator to your keening
echoing
ocean of silence.
“I don’t know how to manage my hurt,” your words say
the world’s mimicry a lost whisper on your chapped lips
intimately synchronized
utterly certain and I
one girl
two hands
many years
I weep
raw and run ragged and raging and regretful
helpless and hell bent, holding and held.
I weep for the hurt that will
never
be caressed, just
managed and manhandled, manipulated and multiplied out of the
sheer
suffocating
need to be loved.
Your breastbone tells me of it, when it can
when it has energy enough to speak against the denial in your core,
universe made
universe deep,
an impossible adversary, even for the
watery maelstrom
of your heart
yet still it tries to fight
tries to gather the right words.
It does not have to tell me, though
Because I
intimately synchronized
utterly certain
with few years and frightened loves
I, stretched thin over threadbare words
had only one lifetime long line, once
shout and sorrow forged, stretching for
miles
and miles:
“I need to manage my hurt.” I gritted.
unspeak it, undo it, unmake it for
safety and salvation and surety I have to
that’s what my breastbone would have told you
still tells you on days of fracturing
silent and small
You can’t just undo a soulbrand of secrecy, you know
minutely managed, perfectly prescribed
needing to be, and fulfilled in being
universally understood
universally unseen
I needed it, then.
then was different, you see…
please see. Then was harsh.
So my ragged edges
inward turned for the sake of black and blue burnings
punctured and punched
calloused and calm
they kept me safe for a while…
until I stuttered and everything crashed
I splintered, of course.
And it should have been the end.
But then…
the unicorns
the dreamweaver’s
the lightbringers came
to remind me where the wishing wells were
to take me to castles on clouds
and squirrel me away to
cloisters of peace I thought were forbidden
secret blanket forts in tucked away corners meant for smaller shoulders. I
shrunk
and didn’t shrink at all, perfect spirit sizes in seismic layers,
unearthed in deluges of fluff and nonsense
cocoa salved and story saved in the
unorthodox halls of fairytale
where they gave me holly wreaths and
legion white candles to crown my wounds
dusting snowflakes over my blue lips
until they silvered
and my ribs expanded
holding the hands of my ancient and unborn
until my multitudes remembered the very
fundamentals
of breathing
of looking in a mirror and seeing
nothing
but light
in the frightened faces and jutting ribs
nothing but a Winter queen with too wide eyes and a pocket full of wishes
learning to tell a story in
the tender tracery of hoarfrost
across a real
imaginary palm
learning to talk to my bones– learning
to inhale
and inhale again
until her…my.
Until my heart was full of misty morning
and my lungs could spasm themselves out
against the nearest chest
multitudes in tremulous toe,
still not making up for
all the tucked away years and
tucked away authors but
starting to try, starting to try.
When I had enough breath to go back on script
my uncertainties craved the pages I had always known
the familiar failure to feel
But my dear ones told me no. And no again
until I learned it was that line
scarred and bitter and jagged
that burning, burning line they took objection to.
And they were so gentle
so breathtakingly, beautifully, boldly gentle
that even my deepest fears couldn’t argue, so
the script is longer, now
inked in red
tattered and torn
lightstained and watersplashed and labyrinthine as the stars
that line is still at the center
but circled and crossed out, now
raw and pulsing right beside a
messy scribble of a NO in block letters
reluctantly bound to the paper with many fingertips
over many days of
candlelight and darkness.
Some cheeky bastard managed, somehow
to draw a butterfly in the middle of the O….oh!
maybe it was me.
I’m not sure, but
I know a little.
I know
a thousand kindly hands sent ten thousand handkerchiefs
feathered pens
dreaming mothwings
puffs of cinnamon scented air
to brush the tears from my cheeks
and I know that
they aren’t sent from so very far
or from so very many as I might think.
And each time, each time they bring me
shooting moons and teacup ballets
evening gowns and mirror lakes
creased pages and soaring songs
and a distant, distant skaters waltz
under dancing fireflies and ancient carols of love
the soft center is always
a little no for the
weary, weary girl
who still bites and kicks
and scratches the pain
her adversary to safety
her weight of a thousand stones,
vicious when the moments get lost between cracks
quiet when I can whisper a shh in her ear
and send her to the garden of dream
where she weeps for what is lost
and sleeps under a lullaby of faerie wings and swansong.
Her marks
my marks
still come out in the wash, of course.
But that’s fine.
It just means I’m a collage of ink
and scratches
drawing blood and
painting it back through
tattered skies and thunderclouds with
smiling faces and overfull coffee cups
whimsey gone mad with sadness
sadness soothed in the arms of something like hope.
My pain is a perfect patchwork soulskin for the poet in me
empathy fluttering
expressions fleeting but
ravishingly, ravingly really, really real sometimes…
enough times.
So I only have this one word to give you now
bobbing at half tilt
incongruously small in the roiling seas unfolding
behind your
bruised and sandpapered eyes
swamping you
slurring you
sweeping you away,
But I want to leave it with you anyway
two teary letters
to freckle your cheek
a NO with a note tucked into its
fragile curves for
when your multitudes can read it
or when your bones learn how to
inhale another way:
Take it from someone who knows, dear one
the blurry writing says.
Caress.
Your.
Hurt.
Signed
a friend who knows the tide